Домой Блог Страница 11

Lead Masks Case

In 1966 in Rio de Janeiro, the corpses of Miguel Jose Viana (left above) and Manoel Pereira da Cruz (right above) were discovered on Vintem Hill wearing business suits and lead eye masks. They were electronics repairmen from Campos dos Goytacazes, over 280 kilometers (174 mi) away, and their deaths remain a mystery to this day. As well as the lead eye masks, they were found with waterproof jackets, an empty water bottle, two towels, and a notebook.

They were last seen buying water from a local shop, and Miguel was reported to have been in a great hurry and checking his watch a great deal. All that the notebook said was that they should be at the agreed place at 4:30 PM, to swallow the capsules at 6:30 PM, and to “protect metals” and wait for the mask signal. They were found with this paraphernalia and wearing the masks, but their bodies were not well-preserved enough to discover whether they had swallowed poison. Why they would need lead masks that would protect against radiation, towels, and notes about metals is a mystery.

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Ed Gein’s Human Masks

Infamous murderer Ed Gein took the faces (in addition to other body parts) both from his victims and from graves so that he could wear them as masks. Some masks appeared mummified, almost dried out, while others were more carefully preserved, perhaps as Gein grew more confident in his methods of procuration.

A few had lipstick applied and looked more lifelike, and four had been stuffed with paper and hung on the wall of his bedroom, almost like hunting trophies. The rest were put into plastic or paper bags, one of which was found by Deputy Arnie Fritz when he was investigating the house. It was nestled in a decaying robe thrown behind the kitchen door. When he opened the bag and saw hair, he reached in to pull the contents out. When he lifted the mask to the light, he realized it was the local tavern owner, Mary Hogan, who had gone missing three years previously.

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Kuchisake-Onna

A Japanese legend tells about a female ghost called Kuchisake-onna, who is the soul of a woman murdered by her jealous husband. This spirit is blamed for many deaths since the 1600s. She walks along dark streets and alleys, covering her mouth with either a fan, handkerchief, or medical mask, depending on which version you hear.

She asks travelers two questions. First, she inquires, “Do you think I’m pretty?” Then she removes her disguise to show her bloody mouth with the sides cut wide. She asks her final question: “Do you still think so?” If you affirm her beauty both times, you’ll only walk away with your face slit like hers. Otherwise, you’re dead.

Stories of Kuchisake-onna were told during the Edo period (1600s–1800s), but then she disappeared until the 1970s, when even a police investigation started, after a series of accidents involving the character .

Ghost [gəʊst] привидение, призрак.

Soul [səʊl] душа.

Jealous [ˈʤeləs] ревнивый.

Spirit [ˈspɪrɪt] дух.

Fan [fæn] веер.

Handkerchief [ˈhæŋkəʧɪf] носовой платок, платок.

Inquire [ɪnˈkwaɪə] спрашивать, осведомляться.

Disguise [dɪsˈgaɪz] маскировка.

Affirm [əˈfɜːm] подтверждать.

Slit [slɪt] разрезать. Slit — slit — slit. Неправильный глагол.

Otherwise[ˈʌðəwaɪz] иначе, по другому, в противном случае.

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Giovanni Aldini — The Original ‘Doctor Frankenstein’

Giovanni Aldini (1762–1834) was a professor of physics at Bologna who had a scientific interest in a variety of fields. But the one that stands out most was galvanism. Aldini helped put together a group of scientists in Bologna to experiment in this area, which involves the therapeutic use of electrical currents.

This interest led him to create one of the most macabre road shows ever devised. Traveling all over Europe, Aldini choreographed countless gruesome theatrical displays. Crowds of patrons would pay to gather and gleefully stare in horror while the proverbial “mad scientist” electrified an assortment of grisly human and animal body parts. Aldini put on spectacular demonstrations, producing hair-raising spasmodic convulsions of arm and leg muscles and even more spine-tingling contractions of the facial muscles of dead human heads.

Using the severed remains of animals and humans and the current of a powerful battery, Aldini would cause eyes to roll, jaws to open, teeth to clack, and fleshy-smelling smoke to curl eerily into the electrically charged air. A truly appalling spectacle, witnesses were reported to say that they could not shake the feeling that the “victims” had really just been brought back to life only to suffer death again.

Always the showman, Aldini enjoyed his most famous performance in 1803 at the Royal College of Surgeons in London. Using the corpse of an executed convict named George Forster, he proceeded to poke and prod the dead man with a pair of conducting rods connected to a battery, causing various parts of the corpse to quake, quiver, and contort.

In his day, he was not considered to be a “mad scientist” especially since the emperor of Austria, in recognition of his achievements, made Aldini a knight of the Iron Crown and councillor of state at Milan.

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Fascination With Psychopaths

A good size of the population has a fascination with the macabre and specifically psychopaths. Nightly entertainment is chock-full of crazy, psychotic killers, and for some reason, we can’t get enough of them. What might our insatiable interest in the vilest of humans say about us as a people? There are three main theories floating around to explain this obsession.

The first idea is that watching or hearing about psychos allows us to temporarily step out of our conscientious, law-abiding shoes and vicariously step into the shoes of someone who only thinks about himself. He doesn’t do any of the things we automatically do every day, like worrying about others’ feelings or being fair. Imagining ourselves as that person (even unconsciously) temporarily liberates us from these obligations without actually causing any harm.

In contrast, forensic psychologist J. Reid Meloy says that psychopaths are a type of predator, and hearing about them connects us with our primal existence of constantly being both the hunter and the hunted. Entertaining ourselves with the stories of human predators allows us to relate with our primal, animalistic selves without experiencing the real danger of the natural world.

Finally, psychiatrist and Harvard professor Ron Schouten says that our draw to psychopaths is similar to our attraction to horror movies or roller coasters. Sometimes we just like to be frightened, and tales of psycho killers can definitely fulfill that need. This is because being frightened sends a rush of neurotransmitters, including dopamine, which evokes feelings of pleasure. In an entertainment setting where there’s no real danger, our fear doesn’t last long. On top of the dopamine-induced pleasure, we usually leave the theater or turn off the TV feeling a sense of well-being or justice (depending on how the film or show ends). This type of satisfaction keeps us coming back for more.

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Magowan’s Infinite Mirror Maze.

San Francisco, California A psychedelic labyrinth on the San Francisco bay.

PEOPLE STUMBLE ABOUT THE LABYRINTH, arms outstretched. Even so, they sometimes find themselves smacking headfirst into their own reflection. Shrieking and giggling when they reach someone else they ask, “are you real?”

This maze is contained in a nondescript building on San Francisco’s Pier 39. It’s a disorienting dungeon of columns and mirrors, lit by blacklight and flashing neon and scored by rave music. Once you’ve managed to make it through the purveyors have been known to recommend trying it again, this time backwards.

This trippy scene is standard fare at Magowan’s Infinite Mirror Maze for visitors of all ages, no drugs required (or recommended for that matter). Its founder calls it “one part art, one part science.” The trick is simple–you’ve probably seen it before at a carnival–but the effect is still enchanting.

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Simon Forman

Forman took up astrology in mid-life, and between 1596 and 1603, he averaged 2,000 consultations every year. That means he had an impact on huge number of Elizabethan lives, and since he documented them—and himself—in such detail, he is one of the major sources we have today on what everyday life was at the turn of the 16th century.

He wrote thousands of pages on everything from occult beliefs of the day to his own dreams and the concerns of the people who consulted him. He shaped history not by influencing the events around wars or nobility but by advising the everyday person on everything from their romantic lives to medical concerns and when and where they would find their missing socks.

Forman’s writing also contain some of the most complete documentation of Shakespearean plays as they were originally performed.

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Carl Linnaeus’s Mermaids

Carl Linnaeus was an 18th-century botanist who developed a system of classification and taxonomy that we still use today. He saw similarities that allowed plants and animals to be grouped into categories, and he believed in a lot of mythical creatures that no one had ever seen.

One creature classified in his Systema Naturae was the kraken, which he assigned the scientific name Microcosmus marinus. The kraken was in the first few editions of the book (with the footnote that he had never seen one).

He also wrote about mermaids. He did believe that he had seen this creature, which he described in the 10th edition of his master work. The mermaid was housed in a museum in Leyden, had come from Brazil, and was fed a diet of little fish and pieces of bread

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Vadino And Ugolino Vivaldi

Imagine, if a bold explorer had pioneered the sea route from Europe to India centuries before Bartolomeu Dias and Vasco da Gama. Well, that’s exactly what the brothers Vadino and Ugolino Vivaldi attempted to do in 1291.

The Vivaldi were Italian merchants close to the wealthy Doria family of Genoa, who probably financed the expedition. (A man named Tedisio Doria accompanied the brothers). Details are scarce, but we know that the brothers set off in two galleys and passed through the Strait of Gibraltar in May, intending to journey across “the Ocean Sea to parts of India and to bring back useful merchandise from there.”

Interestingly, the Genoese annals don’t specify the route they intended to take, leading some historians to suggest they were trying to reach India across the Atlantic, just as Columbus would do 200 years later. However, it remains much more likely that they were planning to hug the coast of Africa, which would have been at least somewhat safer in the primitive galleys of the 13th century.

According to the Genoese chronicler Jacopo Doria, the brothers reached a place known as Gozora before disappearing into the unknown, never to be heard from again. Historians are somewhat divided on the matter, but the most likely explanation is that Gozora refers to the African coast near the Canary Islands, in what is now southern Morocco.

The Genoese admiral Benedetto Zuccaria was cruising the Moroccan coastline with a Spanish fleet at the time, so it’s not surprising that Jacopo Doria would have heard of the brothers passing through. But afterward the Vivaldi passed out of the sphere of European knowledge, and nobody knows where they went or how far they traveled before their voyage reached its end.

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Gaspar And Miguel Corte-Real

In 1503, the Portuguese courtier Vasco Corte-Real equipped two ships for an expedition to what is now Northeastern Canada. His goal was to search for his younger brother Miguel, who had vanished off the coast of Newfoundland while searching for his even younger brother Gaspar, who had also vanished off the coast of Newfoundland.

Sensing the pattern, the Portuguese king eventually stepped in and banned Vasco from going anywhere near the coast of Newfoundland. To this day, the disappearance of Gaspar and Miguel remains one of the most intriguing mysteries in Portuguese naval history.

The three brothers were the only sons of Joao Vaz Corte-Real, a notoriously cruel landlord from the Azores, and his kidnapped Spanish wife. Joao Vaz himself made a poorly recorded voyage to the north in the 1470s, leading some to theorize that he reached the Americas before Columbus. (It’s more likely that he just cruised around Greenland for a while.) His sons seem to have inherited his interest in the region, prompting Gaspar to voyage to Greenland and Newfoundland in 1500. In 1501, Gaspar set sail with three ships to explore the region further.

The expedition reached Newfoundland without incident, but then a storm separated the ships. Two returned safely to Portugal, but Gaspar’s ship was never seen again. Desperate to find Gaspar, Miguel Corte-Real quickly outfitted three caravels of his own and sailed in May 1502. After exploring Labrador and Newfoundland, the three captains agreed to split up in order to search a wider area. They were supposed to rendezvous a month later, but Miguel and his ship never showed up.

Historians now speculate that one or both Corte-Real brothers may have sailed north along the coast of Labrador and into Hudson’s Bay, where they would have been trapped by ice as the weather grew colder. Whatever their fate, the Corte-Reals’ disappearance brought Portuguese Arctic exploration to an abrupt end.

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